Electro Acoustic Mandolin

As early as Morgan had begun to assemble a collection of illuminated, literary, and historical manuscripts; early printed books; and old master drawings and prints. Morgan’s library, as it was known in his lifetime, was built between and adjacent to his New York residence at Madison Avenue and 36th Street. Majestic in appearance yet intimate in scale, the structure was to reflect the nature and stature of its holdings. The result was an Italian Renaissance—style palazzo with three magnificent rooms epitomizing America’s Age of Elegance. Called “one of the seven wonders of the Edwardian World” and completed three years before McKim’s death, it is considered by many to be his masterpiece. In , eleven years after Pierpont Morgan’s death, his son, J. In creating an institution dedicated to serving scholars and the public alike, and in what constituted one of the most momentous cultural gifts in U. Over the years—through purchases and generous gifts—the Library’s holdings of rare materials have continued to grow, and important music manuscripts, early children’s books, Americana, and materials from the twentieth century have been acquired. Without losing its decidedly domestic feeling, the Library has also considerably expanded its physical space.

Flatiron Gibson A5 mandolin

The top and back are carved from air dried split billets. The top is X-braced Engelmann spruce with F holes. Back and sides are curly Big Leaf maple.

Form and Dating: 4: SECTION Amount Unlimited; Issuable in Series (the “Company”), a Delaware corporation having its principal office at Flatiron Parkway, Suite , Boulder, Colorado , and The Bank of New York the Company will execute and deliver such further instruments and do such further acts as may be.

Usually for tracking and accountability. A number showing the position of an item in a series, esp. It descends from the mandore, a soprano member of the lute family. A mandoline , is a cooking utensil used for slicing and for cutting juliennes; with proper attachments, it can make crinkle-cuts. It consists of two parallel working surfaces, one of which can be adjusted in height.

A musical instrument resembling a lute, having paired metal strings plucked with a plectrum. It is played with a characteristic tremolo on long sustained notes gibson Australian actor born in the United States in Mel — , Australian actor and director; born in the US; born Mel Columcille Gerard Gibson. The most famous mandolin in American music history, Bill Monroe’s Gibson F-5 Master Model serial number is one of the finest stringed instruments ever made.

The label inside its sound chamber was signed on July 9, , by Gibson’s legendary acoustic engineer, Lloyd Loar, whose F-5 models were noted for their beautiful craftsmanship, superior tone, and loud volume. Monroe bought the instrument in the early s, when he spotted it in a Florida barbershop window. It became his second voice, filling in around his high, lonesome singing, and ringing out during the supercharged solos that were a hallmark of his aggressive playing style.

In an intruder broke into Monroe’s home and smashed the treasured mandolin with a fireplace poker. The instrument was painstakingly reconstructed by Gibson from about slivers of broken wood, and it remained Monroe’s constant companion, onstage and in the recording studio, until his death in

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I acquired this from a lady about 15 years ago who had no idea what it was and was carrying it in a pillow case, completely filthy (the mandolin, not the pillow case). At the time I did a bit of looking into it and .

A long time staple of American bluegrass and folk music, the Gibson mandolin’s distinctive sound now spans a wide variety of musical genres, from indie-rock to even Celtic punk. Like all instruments manufactured by Gibson, their mandolin’s are constructed with only the highest quality materials and woods. And throughout their extensive selection, you’ll have no problem finding the perfect mandolin to suit your own musical tastes and playing style.

For a truly gorgeous work of art, the Gibson F-5G Mandolin features the same remarkable construction as the F-5L with fewer frills so it’s more affordably priced. The bound scroll work of this mandolin meets Gibson’s toughest standards, and the extended fretboard and tuned parallel tone bar produces a tone that is unmatched. Crafted of the most select figured maple back, sides and neck, the top of this mandolin is select spruce, and it’s finished in hand-rubbed nitrocellulose lacquer with sandblasted gold-plated hardware.

To top it all off, this mandolin sports Sam Bush’s signature on the tailpiece. Like every Gibson mandolin, this instrument has been designed specifically for the most discerning mandolinist. When Orville Gibson took it upon himself to design an entirely new style of mandolin in , there was no telling how legendary his name would become over the next hundred years.

Whether you’re a touring performer or a dedicated connoisseur of impeccably crafted traditional instruments, a Gibson Mandolin would make an exceptional addition to any serious musician’s collection.

Preservation Briefs

In the world of musical instruments, why is the triangle triangular? Would other geometric shapes produce different or undesirable chimes? Dave Greenwood, Nottingham UK I think there is no musical difference between a long straight bar and any shape into which one is bent since you are not changing the number of degrees of freedom of the bar or the general shape of its modes of vibration. Any fellow acousticians wish to comment?

The least number of bends required to give it shape is three. The unnecessary work required to give it more corners will not alter its ‘ding’.

The Flatiron Festival F-2 Mandolin puts a century of mandolin building experience in the hands of working musicians for a distinguished instrument that gives amateurs and professionals quality tone at a price anyone can afford.

Instruments are set up professionally in our shop or by our supplier and are ready to play when you receive them. We will match our competitor’s prices on New Instruments! Banjos Banjos The banjo is truly and American instrument, that evolved through southern slaves who adapted instruments from their native land. Today, banjos are produced in a wide variety of styles. Four string banjos are popular in jazz and Dixie land groups, 5- string banjos are the main stay of bluegrass and old time players and come in open-back and resonator banjos.

A wide variety of specialty banjos are also on the market and the instrument is as popular as ever. Mandolins Mandolins Mandolins play a very important role in a bluegrass band, both as a lead and a rhythm instrument.

Looking For a Mandolin

You may, however, start a new topic and refer to this topic with a link: It is a Mastertone style instrument with a one piece flange and a 3. There is an F, an unrecognizable character, an A, then ending with The other markings designate manufacturing lots and dating. The Flatiron tone rings were made by Mr. Kulish, who also made the Mastertone tone rings Earl specified for the Scruggs model.

American Mandolin, The Flatiron, Montana, , labeled THE FLATIRON MANDOLIN, MODEL NO. 1SH, SERIAL NO. , two-piece back, rosewood fingerboard with pearl eyes, length of back 11 5/16 in., with original papers and case.

Lower Manhattan, which I consider everything below Fulton Street, is literally where the City of New York began in the mid s, when the Dutch made a permanent settlement after the Italians, the Spanish, et al. The British, though, correctly deduced this was a prime spot especially as a port, and forced out the Nethermen as a ruling body in Dutch families left some strange place names, and a winding street layout conceived well before the gridiron system imposed in the s.

Wall Street, as seen from Broad; right, vice versa. This took up the greater portion of about 4 hours. The city seems determined to drive out the remaining industry it has and convert it to residential and entertainment:

flatiron mandolin

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This mandolin was made by Gibson in Montana. Gibson purchased the original Flatiron Mandolin Company in Gibson purchased the original Flatiron Mandolin Company in By they had assigned Bruce D. Weber as head of production – an extremely good move.

Open this image in another tab and it will be much larger. In answer to many inquiries, preferences listed by width and height Some thoughts about frets Fretwire size has no real effect on intonation, but it has everything to do with playability. Taller frets make it easier to get clear notes: Some folks really like teeny frets, but more and more makers, following the lead of the players who showcase their instruments, are going for larger frets than Gibson has ever used.

Taller frets also last longer as well because you don’t have to press so hard to get a clear note. Again, some folks have to adjust their touch to take advantage of this. Mandolin I keep about 20 different wires for different applications, but for mandolins I have used mostly the old Dunlop or the Dunlop mentioned above. I’m keeping my old for partials now, and am moving to Jescar’s and even their , and for a more minimal look, in EVO. Stew-Mac’s and wires are also hard to beat.

The typical vintage Gibson mandolin fret, at.

Gibson Brands Forums: Mandolin serial numbers post 1980 – Gibson Brands Forums

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The company, part of AGC Group, is the largest glass manufacturer in the world and specializes in architectural and automotive glass products. The government agency is responsible for maintaining road infrastructure in the Flemish part of Belgium.

Lower Manhattan, which I consider everything below Fulton Street, is literally where the City of New York began in the mids, when the Dutch made a permanent settlement after the Italians, the Spanish, et al. had given it the once-over and decided to pass.

The body was bound on the top and bottom. Once again the Starfire IV had individual controls for tone and volume for each pickup. The selector switch was mounted on the guitars lower cutaway. The set-in neck was bound and topped with a rosewood fretboard with 22 frets and dot position markers. The body joined at the 16th fret, then after this was changed to the 18th fret, Once again the distinctive Guild logo was inlaid on the black headstock veneer, and below it was the Guild Chesterfield crest.

The tuners were either Grover Sta-tites or Rotomatics. Interestingly it was available with stereo wiring as an option. Originally this guitar was offered in cherry and sunburst. Later custom colours were added including white, black, blonde, brown and natural finish. The strings passed over a tuneable saddles mounted on a rosewood bridge and were secured to a Guild harp tailpiece. This was a step up from the IV model.

It came with twin Guild humbucking pickups, although some models were produced with DeArmond single coil models. Each pickup had its own volume and tone control, with the addition of a master volume control on the lower cutaway, right below the pickup selector switch. This guitar had the familiar Guild tiered design on the lower portion of the pickguard.

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